By revolutionizing the Platinum / Palladium transfer of the 19 century in his own style, Ja'bagh Kaghado has achieved his trademark distortion which is a unique mix of photography, print making, painting, and abstract symbolism creating assemblages which transcended their origins becoming conceptual works of art.

His works have a psychological metaphor of birth and struggle in a pseudo religious context on a subconscious level. His new assemblages are a mixture of contemporary and the traditional, as he fuses neon halo tubes to his distorted Platinium / Paladium hand printed images then displayed in plexi-glass boxes stressing on the sacredness of the new life.

The making of a Platinum / Paladium print is an art form in itself. Only very few masters remain worldwide capable of printing with this highly elaborate technique and even fewer masters are able to print with such size as Ja'bagh uses. Each of his print editions is executed uniquely, an unrepeatable dialogue between the image, the chemistry and Ja'bagh's hand printing skill. A process founded by English inventor William Willis in 1876 which became popular and actively used in the 19th century by a group of artists known as the 'Pictorialists' and which Ja'bagh continues this heritage.

Platinum prints are delicately rich, its tones' range from warm black, to reddish brown, with different shades of grey that are unobtainable in silver prints. They are exceptionally beautiful and are the most noble and longest lasting of all photographic processes. This handcrafted printing process is far removed from the mass produced silver-gelatin and modern digital technology.